<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Oklab on Tartan Dictionary</title><link>https://www.tartandictionary.org/tags/oklab/</link><description>Recent content in Oklab on Tartan Dictionary</description><generator>Hugo</generator><language>en</language><lastBuildDate>Tue, 14 Jul 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.tartandictionary.org/tags/oklab/index.xml" rel="self" type="application/rss+xml"/><item><title>Where the Rainbow Sits in OKLab</title><link>https://www.tartandictionary.org/posts/spectral-locus-oklab/</link><pubDate>Tue, 14 Jul 2026 00:00:00 +0000</pubDate><guid>https://www.tartandictionary.org/posts/spectral-locus-oklab/</guid><description>&lt;p&gt;The dictionary does all of its colour reasoning in OKLab — classifying shades, measuring
ΔTartan, drawing dye-range maps. Those maps always show colours &lt;em&gt;inside&lt;/em&gt; a gamut. This story
asks the opposite question: where is the &lt;strong&gt;outer edge of all physically possible colour&lt;/strong&gt; —
the locus of pure monochromatic light, the curve that draws the famous horseshoe of the
&lt;a href="https://en.wikipedia.org/wiki/CIE_1931_color_space"&gt;CIE 1931 chromaticity diagram&lt;/a&gt; — when you
plot it in OKLab?&lt;/p&gt;
&lt;p&gt;&lt;img src="oklab_spectral_locus_3d.png" alt="Spectral locus in OKLab: projective view and 3D cone"&gt;&lt;/p&gt;</description></item><item><title>The fine grid — a colour space sampled evenly</title><link>https://www.tartandictionary.org/posts/fine-grid/</link><pubDate>Sat, 13 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.tartandictionary.org/posts/fine-grid/</guid><description>&lt;p&gt;A specifier book like Pantone or Munsell samples colour space unevenly — densely where its trade
cares, thinly elsewhere — because it is a record of what people actually made. The Dictionary
needs the opposite: a frame in which &lt;em&gt;equal distance is equal perceived difference&lt;/em&gt;, filled
evenly, so that &amp;quot;how far is this shade from that one&amp;quot; has a single honest answer. That frame is
the &lt;strong&gt;fine grid&lt;/strong&gt;.&lt;/p&gt;
&lt;h2 id="what-it-is"&gt;What it is&lt;/h2&gt;
&lt;p&gt;Take OKLab — the perceptual colour space the &lt;a href="https://www.tartandictionary.org/posts/colours/"&gt;colour list&lt;/a&gt; already uses — and
simply fill it at one spacing in every direction:&lt;/p&gt;</description></item><item><title>The six-colour reference palette</title><link>https://www.tartandictionary.org/posts/six-colour-palette/</link><pubDate>Sat, 13 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.tartandictionary.org/posts/six-colour-palette/</guid><description>&lt;p&gt;The Dictionary names every pattern in a simplified six-colour vocabulary — white, black, red,
green, yellow, blue, &lt;em&gt;&amp;quot;the rest are shades of these six.&amp;quot;&lt;/em&gt; These are not screen primaries
(tartans are not woven in &lt;code&gt;#FF0000&lt;/code&gt;); they are representative cloth shades, chosen to &lt;strong&gt;maximise
discrimination&lt;/strong&gt; — to keep the colour distinctions that genuinely separate one tartan from
another and throw the rest away. This post re-anchors those six onto the &lt;a href="https://www.tartandictionary.org/posts/fine-grid/"&gt;fine
grid&lt;/a&gt; and re-runs the experiment that picked them.&lt;/p&gt;</description></item></channel></rss>